There is No Beauty Without the Sacred: Parisian Sculptor/Philosopher Marc Vinciguerra On Returning Meaning to Art Where the Light Gets In: Slam Poetry Artist Zachary Kluckman on single parenthood, depression, and the power of art-making in community Just Be Yourself, You Are Wonderful: Modern Fresco Painter Ali Cavanaugh On Finding Forgiveness and Freedom We Were All Women in the Womb: Icelandic Drag Performers On Feminism and Free Expression Boulevard of Broken Dreams: Richard T. Scott Paints America’s Identity Crisis Handsome Devils: Alessandro Tomassetti on Painting the Sensual Man “Beauty Is Not Perfection, It Is Sublimating the Imperfect”: Interview with Helene Delmaire, France For the Love of Music and Beauty: Interview with Singer, Songwriter, Halie Loren The Sea Casts Its Spell: Interview with Oslo, Norway Figurative Painter, Henrik Aarrestad Uldalen

There is No Beauty Without the Sacred: Parisian Sculptor/Philosopher Marc Vinciguerra On Returning Meaning to Art

“When I sculpt someone it is not his body that I sculpt but his soul.”

Where the Light Gets In: Slam Poetry Artist Zachary Kluckman on single parenthood, depression, and the power of art-making in community

“I love you for bringing your light to the party. Don’t give up. Don’t ever give up.”

Just Be Yourself, You Are Wonderful: Modern Fresco Painter Ali Cavanaugh On Finding Forgiveness and Freedom

“I know what that is like when you can’t hold it together any longer, when it just all comes down on top of you.”

We Were All Women in the Womb: Icelandic Drag Performers On Feminism and Free Expression

“Gender is a social construct and drag breaks it down and reconstructs it.”

Boulevard of Broken Dreams: Richard T. Scott Paints America’s Identity Crisis

“We become ourselves precisely when we drop the narrative, when we give up trying to construct our identity.”

Handsome Devils: Alessandro Tomassetti on Painting the Sensual Man

There is something to be gained from straight men being able to see the beauty in another man and in women being able to see the beauty in a man outside the masculine norm.

“Beauty Is Not Perfection, It Is Sublimating the Imperfect”: Interview with Helene Delmaire, France

“The strongest love is the love that can demonstrate its fragility.”
― Paulo Coelho, Eleven Minutes

For the Love of Music and Beauty: Interview with Singer, Songwriter, Halie Loren

“…And you are reminded of just how strong this medium is and yet also how little it has to do with you. You realize that it’s not just about you.”
~ Halie Loren

The Sea Casts Its Spell: Interview with Oslo, Norway Figurative Painter, Henrik Aarrestad Uldalen

“If you as a child would approve of how you live your life, then you’re doing it right.”

Igniting the global community through exploration of the arts

17th Aug 2013

Metalheads: Brad Kunkle, Brooklyn, New York

"It's the most controversial element in the history of mankind. It also implies love and spirituality. The spiritual implication comes from it's use in organized religion. But if we look at gold outside this context, we can see why it has been used to inspire our spiritual senses, which for me is the way it reflects light."

10th Aug 2013

Amanda Shelsher, Western Australia: Carving Out Shelter, Motherhood, Home…

"Ever since I was a little girl, I've had a love of birds and winged creatures. I collect nests, and birds always appear in my works. For me they originally were about the freedom I'd experienced when I spent three years traveling around the world, which inspired a hunger for travel. So I compromised and created birds with human faces talking to me."

03rd Aug 2013

Metalheads: Pam Hawkes, England, UK

My figures are still, icon-like, but often trapped within luxurious, decorative patterns. There are narratives of love, desire, disappointment, cautionary and celebratory going on here; it all depends literally on the viewer's standpoint.

03rd Aug 2013
Steven DaLuz

Metalheads: Steven DaLuz, San Antonio, Texas

I think there is a kind of yearning that we have, as humans ~ to know that we are not alone in this vast plane of existence. I try to pull the veil back just a little to reveal just a glimpse of something that could be.

27th Jul 2013

Is Writing Poetry Akin to Taking a Shamanic Journey? Interview with Ruth L. Schwartz, Ph.D.

"After having personally practiced shamanism, shamanic healing, and shamanic journeying for more than half a century, I can say that there is nothing I have encountered in reports of the spiritual experiences of saints, prophets, psychedelic drug experimenters, near death survivors, avatars and other mystics that is not commonly experienced when following classic journey methods using a drum." —Michael Harner, The Foundation for Shamnic Studies

20th Jul 2013

Between a Dancer and a Camera: The Photography of David Cooper

To create in light and line, capture emotion as it whispers across a face, energy as it tightens then loosens a body… David Cooper received no formal training in this, but instead gained his technique and sensitive eye through the matter of clocking in hours with his camera. He shows his subjects, the dancers, his proofs, listens carefully to their feedback, and makes whatever adjustments are needed. It’s a simple give-and-take. Generous from both sides. One might even call it a dance.

20th Jul 2013
lauren berry

Lauren Berry: The Lifting Dress

As award-winning poet Lauren Berry takes us through the after-effects of the sexual trauma experienced by her young narrator, the reader is chilled by the depth of the girl's vulnerability. But then there is another layer which the author weaves in with equally potency: the growing sense that here is a girl who, despite everything, remains the narrator of her own self-identity. Colorful and eccentric and steeped in lush, figurative language, this story, however difficult, is unmistakably her own.

19th Jul 2013
Absolution | Mitch Griffiths

Mitch Griffiths: When All Hope Is Not Lost, Gratitude

Art can be a medium for escape and take you on wonderful journeys. However, it must have the resonance of reality to truly connect. There needs to be gravitas. The best work is monumental, not ornamental.

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