Featured

Remember the Red: Reflections on My Father’s Work, by Bork Nerdrum

The red twilight, the turning point, is manifested in the female figure, plunged to the ground by three men – who represent the night. The child symbolizes the vulnerable remaining rays of the sunlight. The moon, which represents the illumination in Heraclit’s model, lights the way through the darkness and reappears as the lantern brandished by one of the soldiers.

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Aleah Chapin, Figurative Painter, New York City

One of the gifts of Aleah Chapin’s body-of-work is the idea that true intimacy is achieved first and foremost by revealing oneself honestly. That through vulnerability we are able to deeply connect. One’s imperfections can actually make connection with others deeper, stronger. More real.

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The Quietest Moments: Thirty days of destruction

What are the characteristics of love, after all? Attention, care, affection, eros, mystery, joy, comfort, fear, unity, possession, passion, sincerity. And yes, these are all characteristics of the emergent experience of great art. And the artist’s hand which shapes with care shares all these things.

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Magic Realism Painter Andrea Kowch: What the Wind Blew

I’ve always been drawn to and intrigued by stories that are a bit twisted; the ones containing strange characters and a prevailing sense of impending danger. Perhaps that’s why my paintings often carry a similar feeling. There’s always an aspect of something unknown about to happen. The story is never fully revealed, it simply continues on, each painting serving as the next page or chapter.

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The Censorship Issue

Freedom of expression. It’s a basic human right guaranteed to each and every one of us by the United Nations. But does this freedom in reality truly exist?

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Aron Wiesenfeld, Narrative Painter: Don’t Look Now, But We’re No Longer On Solid Ground

“Fantasy by definition is an escape, and it was a way for me to avoid difficult situations and emotions in my adolescence; however, I don’t think of reading as escapism. I think the activities of daily life are more commonly an escape from difficult or strong emotions. It’s in literature and art that one can usually come into more direct contact with those things. That’s why art is so fascinating. Even fantasy books, ironically.”

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The Primordial Dreams of Aron Wiesenfeld

Many artists enter the dream world, but few can so inhabit it as to give us not only its semblance but the meaning of the dream. Wiesenfeld’s genius lies both in the interiority of his figures and in the exteriority of his dreamscapes.

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