Photography
The “Slippery” Photographs of Robert Siegelman
“Honesty is dangerous. For my work to have honesty and candor: Dangerous… What we are aroused by can be very surprising… There are somethings we know that we are aroused by, and that we consider “proper” or consistent with our self image. But watch out! Surprises happen!”
Read MoreFabio Sgroi, Photographer, Palermo, Italy
“My technique I developed myself. I never studied. Learned everything on my own; and that for me is important. If I travel to a city to shoot, I don’t follow the main street; I go to other small roads that eventually arrive at the main road.”
Read MoreIt Starts with Touch
“Intention in touch is no small thing. We can all sense each other’s intentions, even through the web, let alone with glances and body language. So of course, the more secure one is about their own intentions, the more effective their touch. I like to think of touch as ‘bearing witness.’ It is not of judgment, but understanding.”
— Debra Benjamin, Reiki massage therapist; Miami Beach, Florida, USA.
Contemporary Beijing Artist, Li Wei: “I’m like a meteorite, unstable and dangerous. This is the status of the globalized world”
“I’m like a meteorite, unstable and dangerous. This is the status of the globalized world”
~contemporary Beijing artist, Li Wei
The Kinetic Photographs of Russia’s Leo Bugaev
“This is like a kaleidoscope creating different images,” says the artist of his work. “Like sounds flowing through the four windows, creating a stereo panorama, full of excitement and anxiety.”
~Leo Bugaev, photographer, Russia
Steve Sapienza: Emmy award-winning news and documentary producer
Armed with only a small video camera that fits inside his backpack, along with a couple of microphones, the award-winning news and documentary producer has journeyed to some of the most remote and hostile parts of the world, in search of those stories which mainstream media does not cover, and which governments–both theirs and ours–hope the rest of us won’t ever hear about. Or have forgotten.
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