“There’s something irreverent about getting muddy. Plus, its related to play and recreation. My mother was OCD about keeping the floors clean, her hair in place. This is all counter to my mud series, which by the way is not appreciated by my parents. They have a visceral reaction to my mud paintings. That’s one advantage to being a mature artist, though, there’s no time to waste and I do what I want, but they remain scandalized.”

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“Looking over my body of work, I realize that my figures do express a sense of stillness, introspection and quiet contentment. With the daily onslaught of harrowing news, it is easy to loose hope in the human race. It is my wish that my sculptures bring some beauty, peace and tranquility into people’s lives. To connect them back to a place of hope.”

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“Ultimately, I think the paintings are about the push and pull of predator and prey, and the way we encompass those roles within ourselves. This relates to sex, but also religion and history. The ways we justify or do not justify our own agendas to the world and to ourselves.”

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“In my paintings, the woman is often a stand-in for all of humanity. I use the seduction of feminine beauty to act as a sort of ‘lure’ to encourage viewers to look longer and more closely at the work. She leads the viewers in, presents them with the unfolding scenario and makes them her co-conspirators. Without this human element in the painting, I think it is easier for the viewer to remove him or herself from the situation.”

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