“Looking over my body of work, I realize that my figures do express a sense of stillness, introspection and quiet contentment. With the daily onslaught of harrowing news, it is easy to loose hope in the human race. It is my wish that my sculptures bring some beauty, peace and tranquility into people’s lives. To connect them back to a place of hope.”

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“Ultimately, I think the paintings are about the push and pull of predator and prey, and the way we encompass those roles within ourselves. This relates to sex, but also religion and history. The ways we justify or do not justify our own agendas to the world and to ourselves.”

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“In my paintings, the woman is often a stand-in for all of humanity. I use the seduction of feminine beauty to act as a sort of ‘lure’ to encourage viewers to look longer and more closely at the work. She leads the viewers in, presents them with the unfolding scenario and makes them her co-conspirators. Without this human element in the painting, I think it is easier for the viewer to remove him or herself from the situation.”

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“It’s when characters in a picture are overflowing with Dignity, when I feel empathy for them, and I can sense they feel that for each other. All of my favorite work seems to have an abundance of dignity, empathy, and fantasy. For me, Courage and Goodness are synonymous.”

It seems to me that if we meet our truth with goodness/bravery – the result is beauty…Comfort – protection – consolation – we definitely long for these. Irony – at least as a philosophical groundwork – seems a shortcut – with no real satisfaction

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“I enter my paintings as if I am wandering through dreams, recognizing people, places and things, and yet the situations are of such strangeness and intensity that my mind must work to try to interpret and decode what I see. It is in that process where I find the value of my work: not what you see, but what is not. What generates my work internally, and when the painting is done, what it represents to the viewer.”

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