The Artistry of Morishige Yasumune

Morishige Yasumune

Morishige Yasumune

The notes are stretched long and

low…searching…winding…moaning…dropping down into

uncertain depths…

Suddenly: Quick-quick, high note!

Silence.

The piano takes over, low keys: “Dong! Dong-dong! Vibration…stretched out…then: Dong!”

Hands slapping wood.

“It sounds like someone is walking through the woods and they’re scared,” observes my fourteen-year-old son.

Sabrino Sollazzo of Milano, Italy: “He’s telling a story by sound and mind pictures. Oh, it makes me feel free!”

 

The inventive and enigmatic musicianship of Morishige Yasumune.

I always try to concentrate on only the sound itself—what I am making with my instrument…

I think that the best condition for improvisation is to play without thinking, just feeling and doing. Similar to meditation.”

 

Improvisational guitarist, Jaakko Savolainen (Alvari Lume) of Finland:

“I think that an instrument when it is played long enough, becomes a part of the musician’s personality, soul, the way of seeing oneself.”

Yasumune: “Between the instrument and me…once in a while…deep smooth conversation.“

Savolainen: “Music turns out a natural way of breathing and seeing the environment. You really start feeling the sound through your body. For me, it is important to feel the sound on my fingers and let it go through myself. The touch of the sound is so very important. I hear this in Morishige’s playing too…”

Yasumune: “In Japan, we had huge tragedy on 3/11. So many people died, and so many people lost their family, friends, house, and job. And huge number of people have been also attacked and scared by invisible dangerous radioactive materials still. I have talked with my friends who are artists and musicians. We are feeling that something completely changed after 3/11 for us.“

“I don’t have a quick answer for how we should create beauty in such hard times. I do think this is a good opportunity for us to think more deeply about why we play music, create art. I think it may be about relationships between people. How we encourage a person who is in trouble. I decided to stop having gigs for a while because of my father’s sickness. I can’t say exactly when I will be able to play music in front of the people again; but I think this will be good time to think about art and music more deeply.”

Savolainen: “I have great respect for Yasumune’s culture. But in my eyes, now should be the most important time to make music. To let the heeling power live and breath.”

 

 

Further Notes:

Morishige Yasumune studied at Shizuoka University, and lives in Suginami-ku, Tokyo, Japan. His album, “Morishige Yasumune,” is available on Soundcloud.

 
 

 








One Response to “The Artistry of Morishige Yasumune

  • Morishige says: “I always try to concentrate on only the sound itself—what I am making with my instrument…
    I think that the best condition for improvisation is to play without thinking, just feeling and doing. Similar to meditation.”

    I could not agree more. Both posts on improvisation are most welcome.
    Daniel Heikalo, composer and improviser.

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