17th Jun 2016
"Sebastian" 48" x 72" Oil on canvas 2011 For "The Passions" solo exhibition in October 2011 at Lyons Wier Gallery, New York City

The Fertile Ground of New York City Oil Painter Martin Wittfooth

"I'm exploring allegories of rebirth: the notion that we often have to let something die (metaphorically speaking) for something else to be allowed to be realized and flourish."

31st Jan 2014

Is the Impenetrable Black Male a Modern Heroic Myth? Conversation with Chicago Figurative Painter, Patrick Earl Hammie

"We generally have a limited understanding of the black male nude as an artistic subject. In my practice, painting the figure entails encountering and interrogating the heroizing, idealizing tradition of the nude in Western Art in which black and brown bodies have been objectified and dehumanized. I’m part of a generation of artists picking up this mantel, locating ourselves as artists, models, and subjects, and working to remake what the nude does and how it produces meaning."

05th Oct 2013

Aleah Chapin, Figurative Painter, New York City

One of the gifts of Aleah Chapin's body-of-work is the idea that true intimacy is achieved first and foremost by revealing oneself honestly. That through vulnerability we are able to deeply connect. One’s imperfections can actually make connection with others deeper, stronger. More real.

11th Jan 2013

Among Musicians: distinctly different artists share one lovely thing in common

"I have been making music my whole life. I grew up going to see my father play Blues in some of the same clubs that I play in today. When I was seven years old, I stopped wanting to be an astronaut and started wanting to be a musician. I’ve been completely obsessed with music ever since." ~Duncan Arsenault, indie folk musician, The Marshall Pass

15th Dec 2012

Rose Freymuth-Frazier, neo-realism painter, New York City

"My paintings are allegorical, but I expect each viewer will bring their own interpretation to a piece. The question one asks depends on the individual interpretation. If it’s a superficial read of literal abuse or abasement, then that is the subject being addressed within the viewer. If there is a more complex interpretation stemming from one’s life experiences, then the piece becomes personal, and asks questions the viewer is interested in answering."