The Fertile Ground of New York City Oil Painter Martin Wittfooth Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo Her Sweet Excess: Interview with American Painter Adrienne Stein “We Live Our Lives in Circles”: Interview with Mary Chiaramonte The Poetry of Synchronicity: Interview with Erin Anderson The Uber-Representational Paintings of John Brosio And The Stars Fell: Interview with artist Julyan Davis Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron Women Under Glass: The Paintings of Alyssa Monks And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

The Fertile Ground of New York City Oil Painter Martin Wittfooth

“I’m exploring allegories of rebirth: the notion that we often have to let something die (metaphorically speaking) for something else to be allowed to be realized and flourish.”

Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo

“Making a man happy, for more than a few seconds after consumption, is not very interesting to a consumer society; for them an unsatisfied man is preferable. Beauty and art, therefore, is fundamental therapy today.”

Her Sweet Excess: Interview with American Painter Adrienne Stein

“My work is personal, containing symbols and codes for things that are taking place in my life or what I yearn for. The stakes are high, so when others disapprove of your work, they essentially disapprove of you. It is a great risk. The life of an artist is full of self-doubt and isolation. Yet this is a part of everyone’s experience.”

“We Live Our Lives in Circles”: Interview with Mary Chiaramonte

“I like to entertain the idea that we live the same lives over and over. This is the thought behind this painting: that we live our lives in these circles, and all of our time will be experienced again.”

The Poetry of Synchronicity: Interview with Erin Anderson

“I think synchronicities are most noticeable when we look backward. In the moment, our experiences can feel disjointed, especially when the unexpected happens. But when you stand from a higher vantage point looking backward, the individual pieces of your experience fit together with a poetic elegance that just feels right.”

The Uber-Representational Paintings of John Brosio

“I am, of course, not entirely sure of what is going on in these images because, were I too certain, I would have no need to attempt them. But the dissatisfaction, or ‘frustration,’ as you call it, is very much a necessary ingredient. Maybe even the only ingredient.”

And The Stars Fell: Interview with artist Julyan Davis

“She came each day to stand in front of the murder ballad paintings. She had grown up listening to all that music. ‘I just stand here,’ she told me, ‘And the paintings pull the marrow from my chest.’ ”

Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron

“I’m a deep believer in physical rituals as a way to understand our world. Painting is a way for me to understand my own life.”

Women Under Glass: The Paintings of Alyssa Monks

“I want to somehow express what it’s like to be in their skin. I believe this is what art can do at its best. Maybe this way we will feel less alone in the world, more compassionate to each other, work with, instead of against, one other.”

And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

“My usual coping mechanism during stressful times is to detach a bit emotionally and power through, but I guess there are always cracks in the armor, and these images seem to slip out unbidden.”

Igniting the global community through exploration of the arts

19th Oct 2013

Japanese-Born Sculptor Tamae Frame: “It is my nature to create through touch”

Urban life creates a lack of tactile pleasure...We tend to spend too much time in our heads, which makes us imbalanced in our psyche.

18th Oct 2013

Penelope Scambly Schott: “It is the human condition to be in love with language”

More women than you might think have turned to prostitution to survive; sometimes it’s called marriage.

11th Oct 2013

Remember the Red: Reflections on My Father’s Work, by Bork Nerdrum

The red twilight, the turning point, is manifested in the female figure, plunged to the ground by three men – who represent the night. The child symbolizes the vulnerable remaining rays of the sunlight. The moon, which represents the illumination in Heraclit’s model, lights the way through the darkness and reappears as the lantern brandished by one of the soldiers.

11th Oct 2013

The Place for Unhappiness: Interview with Bulgarian poet, Peycho Kanev

I am part of the Balkan tradition. All of these dark memories are part of me, they are inside my blood, inside my mind. They dwell inside me. And, of course, they become part of my poetry, too.

05th Oct 2013

Aleah Chapin, Figurative Painter, New York City

One of the gifts of Aleah Chapin's body-of-work is the idea that true intimacy is achieved first and foremost by revealing oneself honestly. That through vulnerability we are able to deeply connect. One’s imperfections can actually make connection with others deeper, stronger. More real.

05th Oct 2013

Daniel Barkley, Allegorical Figurative Painter, Quebec

I am always telling the kids that there is nothing new under the sun, it is you and what you bring to it that will make it new again.

28th Sep 2013

Mixed Media Photographer, Yuko Ishii

There is always more miracle and magic than we ever realize.

28th Sep 2013

The Quietest Moments: Thirty days of destruction

What are the characteristics of love, after all? Attention, care, affection, eros, mystery, joy, comfort, fear, unity, possession, passion, sincerity. And yes, these are all characteristics of the emergent experience of great art. And the artist’s hand which shapes with care shares all these things.

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