The Fertile Ground of New York City Oil Painter Martin Wittfooth Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo Her Sweet Excess: Interview with American Painter Adrienne Stein “We Live Our Lives in Circles”: Interview with Mary Chiaramonte The Poetry of Synchronicity: Interview with Erin Anderson The Uber-Representational Paintings of John Brosio And The Stars Fell: Interview with artist Julyan Davis Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron Women Under Glass: The Paintings of Alyssa Monks And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

The Fertile Ground of New York City Oil Painter Martin Wittfooth

“I’m exploring allegories of rebirth: the notion that we often have to let something die (metaphorically speaking) for something else to be allowed to be realized and flourish.”

Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo

“Making a man happy, for more than a few seconds after consumption, is not very interesting to a consumer society; for them an unsatisfied man is preferable. Beauty and art, therefore, is fundamental therapy today.”

Her Sweet Excess: Interview with American Painter Adrienne Stein

“My work is personal, containing symbols and codes for things that are taking place in my life or what I yearn for. The stakes are high, so when others disapprove of your work, they essentially disapprove of you. It is a great risk. The life of an artist is full of self-doubt and isolation. Yet this is a part of everyone’s experience.”

“We Live Our Lives in Circles”: Interview with Mary Chiaramonte

“I like to entertain the idea that we live the same lives over and over. This is the thought behind this painting: that we live our lives in these circles, and all of our time will be experienced again.”

The Poetry of Synchronicity: Interview with Erin Anderson

“I think synchronicities are most noticeable when we look backward. In the moment, our experiences can feel disjointed, especially when the unexpected happens. But when you stand from a higher vantage point looking backward, the individual pieces of your experience fit together with a poetic elegance that just feels right.”

The Uber-Representational Paintings of John Brosio

“I am, of course, not entirely sure of what is going on in these images because, were I too certain, I would have no need to attempt them. But the dissatisfaction, or ‘frustration,’ as you call it, is very much a necessary ingredient. Maybe even the only ingredient.”

And The Stars Fell: Interview with artist Julyan Davis

“She came each day to stand in front of the murder ballad paintings. She had grown up listening to all that music. ‘I just stand here,’ she told me, ‘And the paintings pull the marrow from my chest.’ ”

Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron

“I’m a deep believer in physical rituals as a way to understand our world. Painting is a way for me to understand my own life.”

Women Under Glass: The Paintings of Alyssa Monks

“I want to somehow express what it’s like to be in their skin. I believe this is what art can do at its best. Maybe this way we will feel less alone in the world, more compassionate to each other, work with, instead of against, one other.”

And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

“My usual coping mechanism during stressful times is to detach a bit emotionally and power through, but I guess there are always cracks in the armor, and these images seem to slip out unbidden.”

Igniting the global community through exploration of the arts

22nd Feb 2015

The Poetry of Synchronicity: Interview with Erin Anderson

"I think synchronicities are most noticeable when we look backward. In the moment, our experiences can feel disjointed, especially when the unexpected happens. But when you stand from a higher vantage point looking backward, the individual pieces of your experience fit together with a poetic elegance that just feels right."

13th Dec 2014

The Uber-Representational Paintings of John Brosio

"I am, of course, not entirely sure of what is going on in these images because, were I too certain, I would have no need to attempt them. But the dissatisfaction, or 'frustration,' as you call it, is very much a necessary ingredient. Maybe even the only ingredient."

30th Nov 2014

A Graceful Lingering: Interview with Helene Knoop

"Having children has meant that I don’t spend time on motifs which are not so interesting. There has to be more content."

22nd Nov 2014

And The Stars Fell: Interview with artist Julyan Davis

"She came each day to stand in front of the murder ballad paintings. She had grown up listening to all that music. 'I just stand here,' she told me,.. 'And the paintings pull the marrow from my chest.' ”

16th Nov 2014

Intimacy of the Unseen: Interview with Mia Bergeron

"I'm a deep believer in physical rituals as a way to understand our world. Painting is a way for me to understand my own life."

14th Sep 2014

To Live an Artful Life: Laugh

"My portraits include some of who I am, who I wish I was and who I wish I wasn't."

07th Sep 2014

Women Under Glass: The Paintings of Alyssa Monks

"I want to somehow express what it's like to be in their skin. I believe this is what art can do at its best. Maybe this way we will feel less alone in the world, more compassionate to each other, work with, instead of against, one other."

01st Sep 2014

Cherylene Dyer: Body and Soul

"As a body everyone is single, as a soul never." ~ Hermann Hesse

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