The Sea Casts Its Spell: Interview with Oslo, Norway Figurative Painter, Henrik Aarrestad Uldalen The Fertile Ground of New York City Oil Painter Martin Wittfooth Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo Her Sweet Excess: Interview with American Painter Adrienne Stein “We Live Our Lives in Circles”: Interview with Mary Chiaramonte The Poetry of Synchronicity: Interview with Erin Anderson The Uber-Representational Paintings of John Brosio And The Stars Fell: Interview with artist Julyan Davis Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron Women Under Glass: The Paintings of Alyssa Monks

The Sea Casts Its Spell: Interview with Oslo, Norway Figurative Painter, Henrik Aarrestad Uldalen

“If you as a child would approve of how you live your life, then you’re doing it right.”

The Fertile Ground of New York City Oil Painter Martin Wittfooth

“I’m exploring allegories of rebirth: the notion that we often have to let something die (metaphorically speaking) for something else to be allowed to be realized and flourish.”

Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo

“Making a man happy, for more than a few seconds after consumption, is not very interesting to a consumer society; for them an unsatisfied man is preferable. Beauty and art, therefore, is fundamental therapy today.”

Her Sweet Excess: Interview with American Painter Adrienne Stein

“My work is personal, containing symbols and codes for things that are taking place in my life or what I yearn for. The stakes are high, so when others disapprove of your work, they essentially disapprove of you. It is a great risk. The life of an artist is full of self-doubt and isolation. Yet this is a part of everyone’s experience.”

“We Live Our Lives in Circles”: Interview with Mary Chiaramonte

“I like to entertain the idea that we live the same lives over and over. This is the thought behind this painting: that we live our lives in these circles, and all of our time will be experienced again.”

The Poetry of Synchronicity: Interview with Erin Anderson

“I think synchronicities are most noticeable when we look backward. In the moment, our experiences can feel disjointed, especially when the unexpected happens. But when you stand from a higher vantage point looking backward, the individual pieces of your experience fit together with a poetic elegance that just feels right.”

The Uber-Representational Paintings of John Brosio

“I am, of course, not entirely sure of what is going on in these images because, were I too certain, I would have no need to attempt them. But the dissatisfaction, or ‘frustration,’ as you call it, is very much a necessary ingredient. Maybe even the only ingredient.”

And The Stars Fell: Interview with artist Julyan Davis

“She came each day to stand in front of the murder ballad paintings. She had grown up listening to all that music. ‘I just stand here,’ she told me, ‘And the paintings pull the marrow from my chest.’ ”

Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron

“I’m a deep believer in physical rituals as a way to understand our world. Painting is a way for me to understand my own life.”

Women Under Glass: The Paintings of Alyssa Monks

“I want to somehow express what it’s like to be in their skin. I believe this is what art can do at its best. Maybe this way we will feel less alone in the world, more compassionate to each other, work with, instead of against, one other.”

Igniting the global community through exploration of the arts

31st Aug 2013

Odd Nerdrum’s Crime and Refuge

The artist exiled from his home created a theatre of characters in his imagined world, armed, beaten, and alienated, caught in conflict, ritual, love and rest; the afflicted and exhausted; these abandoned self portraits of a bloodied Nerdrum, cast as criminal, then as a weary man whose companions are outcasts, mutilated and war-torn, abandoned to the stern, severely beautiful landscape. We find the dead and the dying here, the victims of the aftermath, a record of the conflict between survivors and their struggle against despair.

30th Aug 2013

“No One’s Speaking For Me Anymore.” Interview with children’s book Illustrator, Nicole Rubel

"I remember once I was drawing a Halloween picture, and my art teacher came up to me and said, "The sky is not purple, and pumpkins do not fly through the air." ~Nicole Rubel, children's author/illustrator, Oregon, USA

28th Aug 2013

The Abstract Expressionism of Agapi Hatzi, Mathieu Fort, and Veronique Brosset

"Many countries' prosperity is fictional and therefore fragile. So someone reasonably wonders if there is a room for art in this sad situation. I am going to answer that today, art's presence is more essential than ever; we need to be transferred to a world of ideas and values, and art is the vehicle.

24th Aug 2013

The Stories We Tell And The Ones We Don’t

I write selfishly. I comfort myself with my own words so that I don’t have to wait for someone else to ask me how I am feeling or what I am thinking. I don’t write so that after I am gone, people will remember me. I write so that I can remember me while I’m still here.

17th Aug 2013

Metalheads: Brad Kunkle, Brooklyn, New York

"It's the most controversial element in the history of mankind. It also implies love and spirituality. The spiritual implication comes from it's use in organized religion. But if we look at gold outside this context, we can see why it has been used to inspire our spiritual senses, which for me is the way it reflects light."

10th Aug 2013

Amanda Shelsher, Western Australia: Carving Out Shelter, Motherhood, Home…

"Ever since I was a little girl, I've had a love of birds and winged creatures. I collect nests, and birds always appear in my works. For me they originally were about the freedom I'd experienced when I spent three years traveling around the world, which inspired a hunger for travel. So I compromised and created birds with human faces talking to me."

03rd Aug 2013

Metalheads: Pam Hawkes, England, UK

My figures are still, icon-like, but often trapped within luxurious, decorative patterns. There are narratives of love, desire, disappointment, cautionary and celebratory going on here; it all depends literally on the viewer's standpoint.

03rd Aug 2013
Steven DaLuz

Metalheads: Steven DaLuz, San Antonio, Texas

I think there is a kind of yearning that we have, as humans ~ to know that we are not alone in this vast plane of existence. I try to pull the veil back just a little to reveal just a glimpse of something that could be.

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