22nd Sep 2013

Magic Realism Painter Andrea Kowch: What the Wind Blew

I’ve always been drawn to and intrigued by stories that are a bit twisted; the ones containing strange characters and a prevailing sense of impending danger. Perhaps that’s why my paintings often carry a similar feeling. There’s always an aspect of something unknown about to happen. The story is never fully revealed, it simply continues on, each painting serving as the next page or chapter.

21st Sep 2013

Connecticut Naturalist Ajay Brainard Paints Death As Part of the Flow of Life

My paintings are an exploration of my inner self and speak to the feelings and emotions that are related to the experiences of life. They are not purely portrayals of death; they are windows into my soul.

21st Sep 2013

The Censorship Issue

Freedom of expression. It's a basic human right guaranteed to each and every one of us by the United Nations. But does this freedom in reality truly exist?

14th Sep 2013

Adrift in Surreal Waters: The Paintings of Australia’s Mike Worrall

When I was younger, I wished I had the ability to play and compose music; but alas, my attempts at it were a bit weak, and doomed to failure, so instead, I thought how good it would be if my paintings could convey the same mood as my favorite pieces of music.

31st Aug 2013

Aron Wiesenfeld, Narrative Painter: Don’t Look Now, But We’re No Longer On Solid Ground

"Fantasy by definition is an escape, and it was a way for me to avoid difficult situations and emotions in my adolescence; however, I don’t think of reading as escapism. I think the activities of daily life are more commonly an escape from difficult or strong emotions. It’s in literature and art that one can usually come into more direct contact with those things. That’s why art is so fascinating. Even fantasy books, ironically."

31st Aug 2013

The Primordial Dreams of Aron Wiesenfeld

Many artists enter the dream world, but few can so inhabit it as to give us not only its semblance but the meaning of the dream. Wiesenfeld’s genius lies both in the interiority of his figures and in the exteriority of his dreamscapes.

31st Aug 2013

Odd Nerdrum’s Crime and Refuge

The artist exiled from his home created a theatre of characters in his imagined world, armed, beaten, and alienated, caught in conflict, ritual, love and rest; the afflicted and exhausted; these abandoned self portraits of a bloodied Nerdrum, cast as criminal, then as a weary man whose companions are outcasts, mutilated and war-torn, abandoned to the stern, severely beautiful landscape. We find the dead and the dying here, the victims of the aftermath, a record of the conflict between survivors and their struggle against despair.

30th Aug 2013

“No One’s Speaking For Me Anymore.” Interview with children’s book Illustrator, Nicole Rubel

"I remember once I was drawing a Halloween picture, and my art teacher came up to me and said, "The sky is not purple, and pumpkins do not fly through the air." ~Nicole Rubel, children's author/illustrator, Oregon, USA

28th Aug 2013

The Abstract Expressionism of Agapi Hatzi, Mathieu Fort, and Veronique Brosset

"Many countries' prosperity is fictional and therefore fragile. So someone reasonably wonders if there is a room for art in this sad situation. I am going to answer that today, art's presence is more essential than ever; we need to be transferred to a world of ideas and values, and art is the vehicle.

24th Aug 2013

The Stories We Tell And The Ones We Don’t

I write selfishly. I comfort myself with my own words so that I don’t have to wait for someone else to ask me how I am feeling or what I am thinking. I don’t write so that after I am gone, people will remember me. I write so that I can remember me while I’m still here.

17th Aug 2013

Metalheads: Brad Kunkle, Brooklyn, New York

"It's the most controversial element in the history of mankind. It also implies love and spirituality. The spiritual implication comes from it's use in organized religion. But if we look at gold outside this context, we can see why it has been used to inspire our spiritual senses, which for me is the way it reflects light."

10th Aug 2013

Amanda Shelsher, Western Australia: Carving Out Shelter, Motherhood, Home…

"Ever since I was a little girl, I've had a love of birds and winged creatures. I collect nests, and birds always appear in my works. For me they originally were about the freedom I'd experienced when I spent three years traveling around the world, which inspired a hunger for travel. So I compromised and created birds with human faces talking to me."