10th Aug 2013

Amanda Shelsher, Western Australia: Carving Out Shelter, Motherhood, Home…

"Ever since I was a little girl, I've had a love of birds and winged creatures. I collect nests, and birds always appear in my works. For me they originally were about the freedom I'd experienced when I spent three years traveling around the world, which inspired a hunger for travel. So I compromised and created birds with human faces talking to me."

03rd Aug 2013

Metalheads: Pam Hawkes, England, UK

My figures are still, icon-like, but often trapped within luxurious, decorative patterns. There are narratives of love, desire, disappointment, cautionary and celebratory going on here; it all depends literally on the viewer's standpoint.

03rd Aug 2013
Steven DaLuz

Metalheads: Steven DaLuz, San Antonio, Texas

I think there is a kind of yearning that we have, as humans ~ to know that we are not alone in this vast plane of existence. I try to pull the veil back just a little to reveal just a glimpse of something that could be.

20th Jul 2013

Between a Dancer and a Camera: The Photography of David Cooper

To create in light and line, capture emotion as it whispers across a face, energy as it tightens then loosens a body… David Cooper received no formal training in this, but instead gained his technique and sensitive eye through the matter of clocking in hours with his camera. He shows his subjects, the dancers, his proofs, listens carefully to their feedback, and makes whatever adjustments are needed. It’s a simple give-and-take. Generous from both sides. One might even call it a dance.

19th Jul 2013
Absolution | Mitch Griffiths

Mitch Griffiths: When All Hope Is Not Lost, Gratitude

Art can be a medium for escape and take you on wonderful journeys. However, it must have the resonance of reality to truly connect. There needs to be gravitas. The best work is monumental, not ornamental.

14th Jul 2013

An Artist Dreamed: Interview with Ethiopian painter Yared Nigussu

I was in France at the time and I met a young guy in my French class. And he was an ex-child soldier. I saw him as always really sad. You didn't ever see a smile on his face. We'd go for coffee or a drink, and one day I just asked him, "Hey man, why don't you ever smile?" And he just explained to me that his childhood was stolen from him. I told him that if I was a writer I would write something, but I am a painter. So I painted his portrait.

06th Jul 2013
Regina Davis Izaguirre

Regina Davis Izaguirre, Figurative Painter: What the Songbirds Carry

I grew up in Mexico City, where my dad and I bred a collection of close to 70 birds – mostly songbirds. As lovers of both music and nature, this was our way of converging the two ~ and to keep our surroundings as pure as possible while living in the big city. Since then, birds have been a source of inspiration for my paintings.

29th Jun 2013
Maria Kreyn

Russian-born Maria Kreyn, Figurative Painter, New York City

"I grew up thinking that one ought to paint and draw like a man. Then as I got to know what men and women are like, I thought that really one ought to try to paint like a god. Now I think I ought to paint like a human being." ~ Maria Kreyn

29th Jun 2013

What’s on Dino Valls’ Mind?

Making a quick dismissal of Valls’ work because it seems a bit kinky and a little disturbing would be to wildly underestimate these paintings, which are much, much, deeper than superficial erotica.

29th Jun 2013

Dino Valls, Madrid: When a Surgeon Paints

Consider the work of Spanish artist Dino Valls, trained as a surgeon yet who upon graduation made the decision to focus all of his energies on painting. But be forewarned: Valls does not ease into his subjects; he works forcefully and seemingly without fear. Or is it precisely because of personal fears that he makes these incisions?

15th Jun 2013
Tom Chambers

The Impossible Intentions of Tom Chambers, Photographer

"The juxtaposition of the probable with the improbable creates a sense of magic. The artist’s role is to create those moments of wonder which open doors to possibilities." ~ Tom Chambers

15th Jun 2013

The Naked Paintings of Teresa Oaxaca

Consider the paintings of 22-year-old Teresa Oaxaca, a classically trained aritst who layers elaborate costumes onto her portrait subjects ~ as well as onto her own body. By all rights, what we take in before us ought to be thick with disguise. But are they? Or is the psyche somehow rendered even more transparent to the viewer's eye?