16th Jul 2014

Closer to Wildness: Interview with Oregon Artist Irene Hardwicke Olivieri

"I realize that many people might never read what I write in a painting, but I like knowing that if they do, they might find something interesting, like the text in one painting describes how to raise caterpillars, another describes aphrodisiac recipes from around the world. When I’m working on a painting about something deeply personal like family secrets, the text happens organically – I’m feeling, thinking, painting."

29th Jun 2014

For Beauty’s Sake: Interview with Stanka Kordic

"The work often goes through weeks of labor, with many layers of paint, because I like the idea of work to carry weight and substance. Scratches, scrapes, dark colors, soft edges, muted light, energy, quiet. Life contains all of it, why not a painting?"

27th Jun 2014

And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

"My usual coping mechanism during stressful times is to detach a bit emotionally and power through, but I guess there are always cracks in the armor, and these images seem to slip out unbidden."

27th Jun 2014

“Beauty Is Not Perfection, It Is Sublimating the Imperfect”: Interview with Helene Delmaire, France

“The strongest love is the love that can demonstrate its fragility.” ― Paulo Coelho, Eleven Minutes

20th Jun 2014

“I Have Dreams Where I Can Breathe Under Water” ~ Interview with Figurative Painter, Teresa Elliott

"There's something irreverent about getting muddy. Plus, its related to play and recreation. My mother was OCD about keeping the floors clean, her hair in place. This is all counter to my mud series, which by the way is not appreciated by my parents. They have a visceral reaction to my mud paintings. That's one advantage to being a mature artist, though, there's no time to waste and I do what I want, but they remain scandalized."

14th Jun 2014

Laila Bell, Sculptor, New South Wales

"Looking over my body of work, I realize that my figures do express a sense of stillness, introspection and quiet contentment. With the daily onslaught of harrowing news, it is easy to loose hope in the human race. It is my wish that my sculptures bring some beauty, peace and tranquility into people's lives. To connect them back to a place of hope."

30th May 2014

“It’s All About Risk”: Contemporary Abstract Artist, Jeane Meyers

"I've always believed that the painting is there if you're willing to do the work and put in the time. It's there if you believe."

23rd May 2014

Access to Incandescence: The Paintings of Conor Walton

"I want to paint images that are, in some sense, ‘icons,' that represent something I feel I can believe in. I want my pictures to carry conviction beyond technical competence."

09th May 2014

Oregon Ceramic Artist, Cary Weigand: In Pursuit of the Untamable

"Connecting to the untamable and the uncontrollable feels like the irony of life."

03rd May 2014

Francoise de Felice, France: “My mother and the difficult relationship I had with her are what guide my work”

"My canvas portrays the different faces of the same woman. Fairy and witch are juxtaposed, there's a duel. I use women as a springboard to show that internal struggle within all of us, wrestling with feelings of happiness and yet unhappiness."

26th Apr 2014

Vincent Xeus: “I Was the First to Fall In Love”

"Growing up, I was most often the first kid to fall in love with something. I felt deep compassion for what was happening around me, empathy for the emotions of others. This became one of the biggest influences on how I developed as an artist."

26th Apr 2014

Laura Krifka: Of Predator and Prey

"Ultimately, I think the paintings are about the push and pull of predator and prey, and the way we encompass those roles within ourselves. This relates to sex, but also religion and history. The ways we justify or do not justify our own agendas to the world and to ourselves."

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