The Fertile Ground of New York City Oil Painter Martin Wittfooth Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo Her Sweet Excess: Interview with American Painter Adrienne Stein “We Live Our Lives in Circles”: Interview with Mary Chiaramonte The Poetry of Synchronicity: Interview with Erin Anderson The Uber-Representational Paintings of John Brosio And The Stars Fell: Interview with artist Julyan Davis Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron Women Under Glass: The Paintings of Alyssa Monks And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

The Fertile Ground of New York City Oil Painter Martin Wittfooth

“I’m exploring allegories of rebirth: the notion that we often have to let something die (metaphorically speaking) for something else to be allowed to be realized and flourish.”

Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo

“Making a man happy, for more than a few seconds after consumption, is not very interesting to a consumer society; for them an unsatisfied man is preferable. Beauty and art, therefore, is fundamental therapy today.”

Her Sweet Excess: Interview with American Painter Adrienne Stein

“My work is personal, containing symbols and codes for things that are taking place in my life or what I yearn for. The stakes are high, so when others disapprove of your work, they essentially disapprove of you. It is a great risk. The life of an artist is full of self-doubt and isolation. Yet this is a part of everyone’s experience.”

“We Live Our Lives in Circles”: Interview with Mary Chiaramonte

“I like to entertain the idea that we live the same lives over and over. This is the thought behind this painting: that we live our lives in these circles, and all of our time will be experienced again.”

The Poetry of Synchronicity: Interview with Erin Anderson

“I think synchronicities are most noticeable when we look backward. In the moment, our experiences can feel disjointed, especially when the unexpected happens. But when you stand from a higher vantage point looking backward, the individual pieces of your experience fit together with a poetic elegance that just feels right.”

The Uber-Representational Paintings of John Brosio

“I am, of course, not entirely sure of what is going on in these images because, were I too certain, I would have no need to attempt them. But the dissatisfaction, or ‘frustration,’ as you call it, is very much a necessary ingredient. Maybe even the only ingredient.”

And The Stars Fell: Interview with artist Julyan Davis

“She came each day to stand in front of the murder ballad paintings. She had grown up listening to all that music. ‘I just stand here,’ she told me, ‘And the paintings pull the marrow from my chest.’ ”

Intimacy With the Unseen: Interview with Figurative Painter Mia Bergeron

“I’m a deep believer in physical rituals as a way to understand our world. Painting is a way for me to understand my own life.”

Women Under Glass: The Paintings of Alyssa Monks

“I want to somehow express what it’s like to be in their skin. I believe this is what art can do at its best. Maybe this way we will feel less alone in the world, more compassionate to each other, work with, instead of against, one other.”

And Down Came the Spiders: Narrative Figurative Painter, Katie O’Hagan

“My usual coping mechanism during stressful times is to detach a bit emotionally and power through, but I guess there are always cracks in the armor, and these images seem to slip out unbidden.”

Igniting the global community through exploration of the arts

24th Jun 2016
Ralph Pennel cropped best

Now We Bow Our Heads: Interview with Poet Ralph Pennel

But I believe that we all, at the very least, should have some. Beauty, that is. Maybe even just a little more. That even in a poem about beauty we must be moved to see its two sure hands and how our own fit perfectly inside them.

17th Jun 2016
"Sebastian" 48" x 72" Oil on canvas 2011 For "The Passions" solo exhibition in October 2011 at Lyons Wier Gallery, New York City

The Fertile Ground of New York City Oil Painter Martin Wittfooth

"I'm exploring allegories of rebirth: the notion that we often have to let something die (metaphorically speaking) for something else to be allowed to be realized and flourish."

16th Jun 2016
Jonathan Mechanicus

The Ungraspable Shadow

"If you look at my work, you will notice I hide my models a lot. And because I hide them. I am able to show more.” ~ Photographer Jonathan Mechanicus, Netherlands

02nd Apr 2016
Maria Kreyn

Russian-born Maria Kreyn: Artwork focal point in new television drama series “The Catch”

“When you work on something for a long time, magic happens, beauty happens.” ~ Maria Kreyn   INTERVIEW WITH MARIA KREYN, FIGURATIVE PAINTER New York City: Deanna Elaine Piowaty: Do...

09th Mar 2016
THE MOVE copia Edgar featured image umbrella

Beyond the Violence, an Oasis: Interview with Edgar Noe Mendoza Mancillas

"I grew up in a neighborhood where the values of the people were mainly based on a sexist structure. It was also a violent atmosphere where the strongest children stood out. In that environment, it was preferable to keep quiet any artistic or creative inquisitiveness, or risk being judged or banished."

22nd Jan 2016
Tom Chambers

The Intelligence of Dreams: Art We Create For Ourselves

In our dreams, through the character of the anima, we get to experience becoming this girl who lives in each of our souls. ~ Marc Bregman, archetype dreamworker

27th Dec 2015
featured image Martin LLamedo Tea oil on linen 120 x 85 cm

Art As Therapy for the Unsatisfied Man: Interview with Argentine painter, Martin Llamedo

"Making a man happy, for more than a few seconds after consumption, is not very interesting to a consumer society; for them an unsatisfied man is preferable. Beauty and art, therefore, is fundamental therapy today."

22nd Nov 2015
Yvette-Kaiser-Smith-Etudes 300 250 featured image

The Natural Tension Between Creativity and Constraints

"Math is inseparable from nature, from us; and, as the search for numbers went on for thousands of years, numbers represent the human search for knowledge. "

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